Fujifilm X-T100 - Review 2022

Fujifilm makes some fantastic mirrorless cameras, including our favorite high-cease APS-C model, the X-H1. But it's struggled to deliver a crackerjack X camera at an entry-level price. The company's latest attempt is the Ten-T100 ($599.95, torso but), its least expensive offer with a congenital-in viewfinder. It'south a gorgeous camera that's capable of capturing stunning images, so why the relatively low rating? It simply doesn't keep upward with the competition when it comes to autofocus, and there's nothing more frustrating than missing a moment considering your camera doesn't lock focus chop-chop enough. Our long-standing Editors' Choice in this category, the Sony a6000, doesn't have the latest features like a touch LCD, but still delivers solid images and video, and has a very snappy focus system.

Blueprint: Black, Silverish, or Gilt

Fujifilm knows how to make a pretty camera, and the X-T100 is no exception. It's fairly small-scale, at 3.3 by iv.8 past 1.9 inches (HWD) and 15.8 ounces without a lens. The body is a mix of metallic and plastic, with the former used for the top plate and the latter for the residue of the exterior. You lot can get it in a matte black, dark silver, or champagne aureate finish. All iii versions have a black leatherette wrapping about of the trunk, with the same color showing up in the top and bottom plates.

Don't confuse the 10-T100 with the Fujifilm X100T—they are very unlike cameras. The X-T100 is an interchangeable lens model, first on auction in 2022. The X-T100 is a stock-still-lens camera, with a fixed 35mm (full-frame equivalent) f/2 lens and hybrid optical/electronic viewfinder. It's from 2022, and has since been replaced with the X100F.

Yous can buy the camera as a body but, or get it with the Fujinon Ninety 15-45mm F3.5-v.vi OIS PZ zoom lens for a $100 premium. It has an EVF, which you don't ever get with a low-cost mirrorless camera. Fujifilm's Ten-A5 and the Olympus PEN E-PL9 also sell for effectually $600, but neither has an EVF.

The X-T100 ships with a detachable handgrip in the box. I preferred using the photographic camera with it, as information technology doesn't add together much bulk and makes it much more than comfortable to agree. The grip screws into the correct side of the camera; you just need to remove a small prophylactic stopper to reveal the threaded hole used to secure it.

Relieve for the lens release button, in that location are no controls on the front end. Up summit you'll find a programmable dial to the left of the EVF, along with a push to release the pop-up flash. Past default it switches through the diverse film emulation modes, a mainstay of Fujifilm cameras. Among the choices are the standard look (Provia), a saturated option (Velvia), a more muted, colorful effect (Classic Chrome), and others, including black-and-white and sepia tones. All of the furnishings are bachelor for video capture as well as still images. The punch can be reprogrammed if you lot'd like information technology to do something else.

A standard hot shoe sits atop the raised middle department, and then you can add an external flash or other accessory. On its correct there'southward a Mode Dial, the programmable Fn button, shutter release and power switch, a second control punch, and the Tape button for video capture. In add-on to the standard Program, Aperture, Shutter, and Manual modes, the X-T100 includes Scene settings for sports and landscape, in-camera panoramas, and a number of different art filters, including pinhole and miniature.

The Delete and Play buttons sit on the rear plate, at the top left corner. To their right is the EVF, with a View Mode push to gear up the live view system to utilise the EVF, rear LCD, or switch automatically betwixt the two using the camera'south eye sensor. To its right is the Q button, which launches an on-screen menu for quick adjustments to settings. To its correct is the rear command dial, which turns to arrange aperture or shutter speed (depending on the shooting mode and fastened lens), and can be pushed in to magnify the frame for precise manual focus.

The Q screen shows a bank of xvi settings, all of which are customizable. It's an intuitive style to modify settings that aren't easily accessible via buttons, without having to dive into the camera card. There's no push button on the camera to change focus modes, for example, so having that setting on the quick menu will make information technology easier to switch between unmarried, continuous, or transmission focus. Oddly enough, despite having rather large icons, you lot can't navigate the Q screen, or whatever carte du jour, via bear on. Instead you'll use the rear iv-fashion directional pad and the rear control wheel to modify settings.

The four-fashion command pad sits beneath the rear pollex rest, to the right of the LCD. Its directional presses double as shooting controls (AF, White Balance, Drive, and Self-Timer), and the Bill of fare/OK push sits at its centre. Below information technology is the remaining physical control button, Display/Dorsum.

The LCD is touch sensitive, three inches in size, with a crisp 1,040k-dot resolution. It'southward sharp, and y'all tin can pump upward its brightness higher than normal for employ on sunny days, or set it dimmer to reduce stress on your eyes during astrophotography outings. The display is hinge-mounted to help yous become shots from more than interesting angles. It can tilt upwardly or down, or swing out to the side and face forward for selfies.

While the LCD doesn't support touch for menus, it does let you tap the screen to change the focus point, or to focus and capture an image. You lot can change what touching the screen does by tapping the finger icon at the top right corner of the display. It volition say AF if you only want to set focus by touch on, Shot if you want to focus and make an paradigm with each tap, or Off if you don't want to to use touch focus. The AF setting will only be available if you accept the photographic camera's focus style set to its flexible spot mode—if you use the wide setting the camera will always cull the focus point. In addition to tapping the screen while using the LCD to frame up a shot, you can slide your finger across the LCD when using the EVF to motion the focus signal effectually.

Many who opt for the 10-T100, or another model with a built-in EVF like the next in the line, the X-T20, practice so because of the viewfinder. The X-T100's EVF is quite good, especially when y'all consider the camera's price. It's clear and shine cheers to a dumbo 2,360k-dot resolution and OLED tech, and includes diopter adjustment to punch its focus in to match your vision.

The EVF is on the small side with 0.62x magnification, but that is on par with other cameras in this price range similar the Olympus OM-D E-M10 Mark Three. Yous'll need to spend more if your eyesight volition benefit from a larger view of the world—the premium Fujifilm 10-T2 sports a 0.77x finder, and others in the $1,000 and up range do besides.

The X-T100 features the standard cocktail of Bluetooth, NFC, and Wi-Fi connectivity. Bluetooth and NFC are included to simplify the process of connecting the camera to your smartphone, and Wi-Fi is used for remote control and file transfer. You'll need the Fujifilm Cam Remote app, a free download for Android and iOS devices, to utilise the camera with your phone.

The battery is the aforementioned NP-W126S used past other Fujifilm mirrorless cameras. It loads in the bottom, in the same compartment that houses the single SD/SDHC/SDXC card slot. It is rated for up to 430 images or 90 minutes of video, both very good marks for a mirrorless camera. There are a few ports bachelor—micro HDMI, micro USB, and a 2.5mm microphone input jack. You'll need to use an adapter in society to connect a mic with a standard iii.5mm plug.

Performance and Autofocus

The X-T100 is a great-looking camera with nice features, quality components, and potent handling. So why are we rating it so depression? The answer lies in its autofocus system—it'south slow, to the point where it struggles with keeping up with moving subjects. This is despite Fujifilm including phase detection on the sensor, technology that usually nets very snappy performance.

Even in vivid light, at that place is a noticeable 0.iv-second lag between pressing the shutter and getting an in-focus prototype. The lag slows to near 0.9-2d in very dim lite. The photographic camera itself isn't quick to ability on and capture an image, requiring virtually 2.6 seconds to practice so. Compare that with the crumbling, but faster, Sony a6000, which is a piddling quicker to start (1.nine seconds) and a lot faster to focus in bright light (0.02-2d), though it does slow down in dim conditions (0.8-2d).

Continuous shooting is available at a very decent five.9fps capture rate at full 24MP resolution, and at 15fps using the 4K photo mode, which leverages the video recording system to extract 8MP JPG frames. Focus is fixed during most 4K shooting—information technology'southward more than useful for capturing a fleeting moment than for tracking a moving subject—simply there is a mode which will change the focus point betwixt every shot. I wouldn't recommend using information technology to try and catch a moving target in focus, merely it is a useful tool for macro photographers who employ focus stacking to go more depth of your subject in focus.

If y'all do want to track moving subjects—whether it'due south a bird in flight, a kid on a swing, or a runner crossing the goal line—you lot'll notice the X-T100's performance to exist lacking. Yes, it tin can shoot at 6fps in Raw or JPG format, but its striking rate for focus netted poor results in our tests—only virtually one-half the shots in our moving target test were in focus. Compare this with the Sony a6000, which tin can continue moving targets in focus at 11fps, fifty-fifty when shooting in Raw format.

The number of shots y'all can capture in a burst varies based on whether you shoot in Raw, JPG, or Raw+JPG. In Raw or Raw+JPG you go only 16 shots in a full flare-up, while you can extend to about 39 shots when in JPG format. Once the buffer fills upwards it will take a flake of time for the images to write to a retentiveness carte—18.five seconds for Raw+JPG, 15.eight seconds for Raw, and 5.6 seconds for JPG when using a SanDisk 280MBps card. Frustratingly, you lot can't do anything but wait as the images are committed to retentiveness. Most other cameras allow you lot to change settings or start shooting again when the buffer is partially cleared—that's not the case with the 10-T100. You'll have to stare at a preview of your last paradigm and the word "Storing" at the pinnacle of the screen until all of the images are saved.

Image and Video Quality: Stiff Photos, Choppy 4K

The X-T100 uses a 24MP APS-C image sensor, the same resolution and sensor size you lot notice in virtually SLRs and mirrorless cameras bachelor for under $1,500. It is a Bayer pattern, the blazon of color epitome sensor used by most manufacturers, as opposed to Fujifilm'due south proprietary X-Trans blueprint, which information technology reserves for its more avant-garde cameras. X-Trans promises to deliver improve high-ISO functioning and more natural grain due to its more circuitous six-past-six color filter blueprint, every bit opposed to Bayer's four-past-four repeating pattern. You lot too miss out on some of the features that Fujifilm has (to date) reserved for X-Trans cameras, including film grain simulation, and the Acros and Eterna film emulation modes.

I tested the sensor'due south functioning at each of its total-stop ISO settings using Imatest. When shooting JPGs with default settings enabled, the X-T100 captures images with less than ane.5 per centum dissonance through ISO 25600. Just that doesn't mean that you can get crisp, detailed images when pushing the photographic camera that far.

Come across How We Test Digital Cameras

In reality, yous can snap clear images with little loss of quality through ISO 800. Nosotros see a bit of loss of very fine item at ISO 1600 and 3200, only paradigm quality remains very stiff. At ISO 6400 the story changes a scrap—very soft blurring of item becomes a flake more apparent. I'd however feel comfortable using the setting when the shot calls for it, though. Blur is more pronounced at ISO 12800, and it gets worse at ISO 25600 and even more and so at the top ISO 51200 setting.

More advanced photographers can opt for Raw format, which cuts out dissonance reduction and gives you lot more latitude to edit your photos in Lightroom or your favorite Raw processor. Raw images are very sharp through ISO 3200, and while there's some grain, it's non overwhelming. At ISO 6400 grain is heavier, but details shine through. Output is rough at ISO 12800, which is also the top setting available when working in Raw style—Fujifilm has opted to not include Raw capture in a higher place ISO 12800. Crops from both JPG and Raw images are included in the slideshow that accompanies this review for your reference.

The Ten-T100 supports 4K video capture, merely as with the company'southward 10-A5, information technology's really not there for video. The 15fps frame rate is choppy—use it for the burst photo capture fashion, not for your home movies. Instead y'all'll want to shoot at 1080p. Videographers will be happy to come across a load of frame rate options—23.98, 24, l, and 60fps. But there'south no 30fps capture option, an odd omission.

Regardless of which frame rate you choose, video capture is a mixed bag. Footage at 1080p is reasonably sharp, and there's only a pocket-size crop applied at the sides of the frame. But videos are slow to start—you'll need to hold downward the Record button for close to a 2nd to kickoff a clip—and the autofocus is slow to adapt to changes in the frame.

Neat Potential, Hampered

Given the quality of Fujifilm'south other mirrorless cameras, including the next model up in price and features, the 10-T20, I had high hopes for the 10-T100. Only despite boasting a very solid build (for this price class), a stunningly bonny industrial design, and excellent epitome quality, its shortcomings in speed and focus forbid me from giving it a potent recommendation.

If you lot are interested in taking advantage of Fujifilm's excellent—and vast—mirrorless lens library, and don't plan on capturing a lot of moving activity, you'll likely be happy with what the X-T100 delivers in terms of paradigm quality and handling. But for photographers serious enough to think about buying lenses, it'south a expert phone call to spend a chip more coin and get the X-T20. It matches the X-T100 in resolution, betters it in focus and video capture, and has a impact LCD—just not one that can face frontwards for selfies.

For photographers simply looking for a good, affordable starter camera, nosotros still recommend the Sony a6000 equally our entry-level Editors' Selection. It's an older model, so yous don't get a touch LCD or Bluetooth, but information technology does have Wi-Fi, an EVF, a tilting LCD, and much faster focus and outburst capture. You may also like the Panasonic G7 (some other older model, but one that sells for an affordable toll) or the Panasonic GX85, both of which are priced similarly to the X-T100, and use the slightly smaller Micro Four Thirds sensor size.

Source: https://sea.pcmag.com/fujifilm-x-t100/28904/fujifilm-x-t100

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